Creation, Fall and Evolution in Maximus the Confessor According to Torstein Theodor Tollefsen

Preface

Several people have asked me questions about what this post means, so here is a summary in advance with more direct language. God doesn’t need death to create, but He subverts death to achieve all of His original intentions anyway. The Bible teaches a human fall outside the start of time and of our cosmos as we know it. All death (of any kind) is a result of this atemporal human fall (which is also manifested within history as you can consider in this post).

In other words, God has always had incarnation in the form of the Son as an eternal plan and purpose, and humans are actually created outside of time as we now know it. Our showing up within this current corrupt reduction of time and space is a result of our collective decision outside of time to try a shortcut that resulted in this corrupted first creation that we now know but which is still being made (in Christ) into the new creation that will be fully revealed at Christ’s second coming.

The image in Revelation 13:8 of a Lamb slain from he foundation of the cosmos has come to mean a lot to me, as this captures the idea that Jesus Christ has been suffering with His creation since the start of time.

Original Post

“One major challenge to any ancient metaphysical conception of the world is the modern doctrine of evolution.” Torstein Theodor Tollefsen raises this critical point at the end of “Saint Maximus the Confessor on Creation and Incarnation” (his contribution to Incarnation: On the Scope and Depth of Christology edited by Niels Henrik Gregersen). While Tollefsen immediately acknowledges that “Maximus probably held the view that the world was made recently and that all species were made by God in the beginning,” Tollefsen goes on to explain how modern evolutionary science can fit seamlessly within the metaphysical system that Maximus provides. As far as I can tell, what Tollefsen proposes lines up to a remarkable degree with the position outlined in “Sergius Bulgakov on Evolution and the Fall: A Sophiological Solution” by Charles Andrew Gottshall (posted to the Eclectic Orthodoxy blog on May 1, 2017).

In summary, Maximus sees the fall of humanity as having two aspects. These can also be expressed as “two senses of hamartia” (the Greek term typically translated sin). They are not two falls of humanity but just our human fall seen from two perspectives: 1) humanity’s relation to God outside of time wherein we collectively made a free and culpable choice to become what God intended for us via the wrong pathway and 2) humanity’s suffering within time under the bondage of corruption alongside of the entire cosmos that we are meant to tend and bless.

In its first aspect, our fall is an atemporal event that takes place within the “eternal now” of God’s presence and in which humankind “reached for its humanity as made in the image of God, situated in the tension between paradise and oikoumené, but failed to achieve it in the proper way.” (Although Tollefsen does not specify this directly, it seems clear that Adam in this sense for Maximus is understood as God’s vision of humanity seen collectively as a whole—as the perfect body of Christ to use Paul’s language.) In Ambiguum 42, Maximus states that our nature fell unnaturally into wickedness “at the instant it was created.” (Note in this blog post that Maximus actually makes this strange claim “on three separate occasions.”) Tollefsen explains that this “first ‘failure’ of Adam …was culpable, since he fell of his own choice from good into evil.” According to Tollefsen: “Maximus does not …commit himself to any definite speculation on the state of innocence. …The first [sense of hamartia] was culpable and indicates a fall from innocence, but the text does not say that this first is to be understood temporally.”

In its second aspect, our human fall “was the innocent transformation of human nature from incorruption into corruption.” This consequence of our fall is “innocent” in that we and the entire cosmos (with no rational will of its own and therefore no choice in the matter) suffer a contingent consequence that we could not have fully foreseen. Tollefsen says that this aspect of “humankind’s fall from perfection …is probably understood in a temporal sense” in that after “a period of existence in paradise” we experienced the fall “with its consequences for the whole of creation, when human beings were transformed from incorruption to corruption.” Summarizing Maximus, Tollefsen further explains: “Corruption, comprising all kinds of physical weakness and death, is not natural. It is not in accordance with the proper nature of a being, which rather is the divine purpose of its logos. Thus while human salvation involves healing from sin and gaining incorruptibility, animals, if they should be conceived as participating in the divine scheme of salvation, only need healing from corruptibility.”

Critical to the full metaphysical framework that Maximus presents is that “the plurality and diversity that characterizes the world is willed by God, and [it] shall not disappear in the consummation of the ages.” In God’s final purposes, “particular beings are meant to be preserved as themselves in their particularity.” In conclusion, Tollefsen claims: “The transformation from incorruption to corruption [of the entire cosmos] may be interpreted within this picture. [It describes] a purpose that is not achieved throughout the natural history of the world, but is reached in the eternal kingdom of God.”

When taken together (and summarized in my own layman’s terms), we get a vision of creation as being initiated within God’s timeless presence with the central and guiding principle of creation from before creation’s start being the incarnation of the Logos as human. Christology, in this case, expresses a unity between God and creation—with humanity being the principal link within the created order. Humanity, however, grasping at a false path toward our ultimate end as the focal point of God’s image within creation, recasts our entire experience of the process of creation itself within a contingent corruption of the entire cosmos (expressed within our current cosmic time). For now, we are no longer fully able to see God’s creative work underway except in so far as we can see it through Jesus Christ, and all that we see is subject to the delusions and blindnesses imposed by ourselves and many others within our current contingent time. This human fall does not prevent God’s creative acts and intentions from taking place, but our falleness introduces the temporary experience of suffering and death into the entire creative process as it unfolds within time. From start to finish (even before humanity arrives within the fallen temporal sequence), creation within cosmic time is marred by corruption (but not prevented or destroyed). Within this context, the incarnation, death, resurrection and glorification of Jesus Christ become the revelation and restoration of our true and eternal condition as well as remaining the telos of creation as it always was. This telos is enacted within history as the incarnation of Jesus Christ but reveals a truth that cannot be fully seen or known until history is finished and transformed.

Biological evolution, in this scheme, is just the creative work of God unfolding as this ongoing work is experienced within the fallen confines of our current cosmic time. The entire natural history of our cosmos combines together the achievement of God’s eternal ends with the contingent experience of corruption, suffering and death. In this, the whole of creation becomes a kind of prolonged and painful labor and delivery. Ultimately, the claim here is that all the eons of biological evolution participate in the crucifixion and death of Christ as well as in Christ’s transfiguration, resurrection and glorification (rendering all the suffering of humanity and the cosmos contingent yet fruitful in the end). In this way, the final telos of all creation is “not achieved throughout the natural history of the world, but is reached in the eternal kingdom of God.”

Passages from Tollefsen relating to what God intends and is creating according to Maximus:

How does God know beings? They are known, Maximus states, as his own acts of will. Maximus says that in the logoi, beings are circumscribed essentially and genetically (that is, as known and as willed) by their own logoi and by the logoi of beings that surround them.

…God knows particulars. He not only knows them; he loves them. …The logoi, as conceived by God, are contemplated by God according to the essential relationships they were intended to found. …Natural relationships are for …the actualization of a movement of love, which is what God has made possible within this system of being. According to Maximus’s interpretation, when beings are conceived within such an order, this is meant to guarantee a certain integrity of being and to make possible a certain providential and soteriological dynamics of movement.

The plurality and diversity that characterizes the world is willed by God, and is as such shall not disappear in the consummation of the ages. Particular beings are meant to be preserved as themselves in their particularity. However, in the present age this particularity has turned into a source of self-enhancement on the part of particular beings. This self-enhancement is sinful, since it involves an encroachment upon the integrity of both one’s own being and the being of others. In this way suffering, pain, corruptibility, and death rule the natural world. The divine remedy, however, is not the reduction of particularity, plurality, and diversity to an essential, ontological unity. Rather, it is the reduction of self-enhancement to the detriment of other beings to a unity in love that is made ontologically possible because God has transcendentally (in his logoi) knit the bonds of being that make it possible.

…The infinite divine Mind who eternally contemplates his own knowledge of beings has contemplated them in their logoi in all the possible ways of development these possible beings might enfold.

…While it will not accord with the methods of science to search for final causes, a metaphysical doctrine of the world as made by God cannot dispense with the concept of final causality.

…Even if the natural development of life is replete with struggle, suffering, and death, the Christian metaphysics of Maximus reckons with a final consummation in which all suffering and corruptibility are overcome. A cosmos made by God according to his goodness, will, and purpose must be conceived as directed, in the divine Mind, toward some goal.

Passages from Tollefsen relating to what we experience in this life given our fallen condition according to Maximus:

Maximus expects a universal transformation of the cosmos. Also, salvation does not just concern the remission of sin, since only rational creatures can sin. In Ad Thalassium 42, Maximus interprets the Greek term hamartia, which is usually translated “sin,” in its literal sense as a failure or as missing the mark, like when one shoots with a bow. The first “failure” of Adam, he says, was culpable, since he fell of his own choice from good into evil. This is what we would designate as sin in the usual sense of the term. The second failure, however, following upon the first, was the innocent transformation of human nature from incorruption into corruption. According to Maximus, corruption, comprising all kinds of physical weakness and death, is not natural. It is not in accordance with the proper nature of a being, which rather is the divine purpose of its logos. Thus while human salvation involves healing from sin and gaining incorruptibility, animals, if they should be conceived as participating in the divine scheme of salvation, only need healing from corruptibility.

…Maximus does not, as far as I can see, commit himself to any definite speculation on the state of innocence. He …distinguished between two senses of hamartia. The first one was culpable and indicates a fall from innocence, but the text does not say that this first is to be understood temporally. However, in Ad Thalassium 1, he mentions in passing humankind’s fall from perfection. This is probably understood in a temporal sense: there was first a period of existence in paradise; then came the fall with its consequences for the whole of creation, when human beings were transformed from incorruption to corruption.

…What Maximus actually says does not have to be interpreted in the sense that one has to reckon with some kind of historical paradise in the past. If we look at the divisions of being in Ambiguum 41, one of the divisions is between paradise and oikoumené, as if these were somehow present in the cosmic building and not as if one came before the other in time. Further, in Ambiguum 42, Maximus states that our nature fell unnaturally into wickedness “at the instant it was created.” These Maximian descriptions need not be anything other than a metaphysical sketch of the structures or powers and possibilities of the world and of culture. When humankind originated within the fabric of nature, it reached for its humanity as made in the image of God, situated in the tension between paradise and oikoumené, but failed to achieve it in the proper way.

Note that, while working to grasp Tollefsen’s summary of Maximus on these points, it can be helpful to have this additional map in hand:

In Ambiguum 41, Maximus presents his system in a nutshell. He draws a perspicuous and, I would say, beautiful picture of the cosmos as it comes forth from God in its procession (that is, creation) and converts to God in the final restoration. He describes five basic divisions in accordance with which the cosmos is arranged: (1) the division between uncreated and created nature, (2) the division of created nature into intelligible and sensible being, (3) the division of sensible being into heaven and earth, (4) the division of earth into paradise and oikoumené, and (5) the division of oikoumené into male and female. By oikoumené he probably means the inhabited world [as Andrew Louth translates it in Maximus the Confessor, Early Church Fathers (London: Routledge, 1996), 157].

Traditional icon of the creation.

1 Comment

Leave a Comment

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s