Posts tagged ‘death’

December 23, 2017

Advent Reading of George MacDonald’s Lilith

George MacDonald’s Lilith is almost entirely populated by mothers and children. Therefore, it was natural to think often of Mary and her child while washing dishes and listening to Lilith during this Advent season. (I used an audio recording made by Pete Williams for LibriVox supplemented by occasional references to a free text download from Project Gutenberg.) Lilith: A Romance was George MacDonald’s last fantasy work (1895), and it strongly resembles Phantastes: A Fairie Romance for Men and Women which was his first (1858). Both novellas involve a young man coming of age during the course of a journey through the world of myth and faerie (including encounters with child-like innocents as well as several women who run the gamut from mysterious and majestic to macabre and monstrous).

In Surprised by Joy, C.S. Lewis describes his first reading of Phantastes at age sixteen: “That night my imagination was, in a certain sense, baptized; the rest of me[,] not unnaturally, took longer. I had not the faintest notion what I had let myself in for by buying Phantastes.” All of his life, Lewis was outspoken about his debt to George MacDonald (publishing an anthology of his writings in 1947). In another tribute to MacDonald’s fantasy works, Lewis says in The Lion, the Witch and the Wardrobe (1950) that Jadis (the White Witch) was descended from Adam’s first wife Lilith:

But she’s no Daughter of Eve. She comes of your father Adam’s … first wife, her they called Lilith. And she was one of the Jinn. That’s what she comes from on one side. And on the other she comes of the giants. No, no, there isn’t a drop of real Human blood in the Witch. (8.35)

In his story Lilith, George MacDonald is drawing deep on mystical traditions and apocryphal stories from the Jewish exile period as well as medieval Christianity. These stories depict a host of characters around Adam, including his first wife Lilith. In some stories, Lilith is made from clay at the same time as Adam. In other accounts, Adam and Lilith are made as one person and only later separated by God into male and female. In these stories, Lilith refuses to remain united in purpose with Adam, is caste out of the garden, and intermarries with angels and/or demons to spawn a race of monstrous Jinn. In some accounts, Lilith takes on the body of a serpent, and she is sometimes depicted as the one who slips back into the garden to tempt Eve with the forbidden fruit. Another prominent feature of these stories is that Lilith hates human children and carries them off to feed upon them. In this fresco by Filippino Lippi (1502, Fresco, Strozzi Chapel, Santa Maria Novella, Florence, Italy), Adam is depicted protecting a young boy from Lilith the child snatcher.

Filippino_Lippi-_Adam

George MacDonald’s story of Lilith follows a young man, Mr. Vane, who has inherited an ancient home with a library that was started long before printing. Mr. Vane spends most of his time in this library and finds it frequented by a spectral librarian, Mr. Raven, who has served the family time out of mind. Following this ghostly librarian one day, Mr. Vane wanders into another realm where he learns that Mr. Raven is Adam and that Adam lives with his wife Eve in a home where they tend to all those who are ready to give up their lives and die the death that brings true life. Invited to lie down in his place among these cold sleepers, Mr. Vane finds that he is unable to do it. Instead, he wanders back out and alone into the world outside the great house of Adam and Eve.

Within this realm, over the course of a prolonged adventure, he encounters a girl and two grown women: Lona, Mara, and Lilith. Lona is the innocent child of Adam and Lilith, abandoned at her birth but kept safe from her cannibal mother. He meets Mara and Lilith separately. Mara is a queenly daughter of Eve who tends to all the suffering souls who are still wandering and unready for death. With a biblical name meaning sorrow or bitterness (and often associated with the name Miriam or Mary), Mara is also called the Lady of Sorrow and the Mother of Sorrow. She is a protectress and her home is a sanctuary at times. However, her primary task is to attend upon sorrow and suffering as agents of salvation.

Lona is a child-mother, tending a tribe of abandoned and innocent babes (called “Little Ones” and “Lovers”). These children bring to mind the slaughtered innocents of Bethlehem and of all human history (infants aborted and left to die). They live together in a Paradise of little fruit trees and are only very vaguely threatened by a neighboring tribe of utterly stupid giants.

Several subplots ensue as the story follows Mr. Vane’s wandering and striving within this world. However, all these plots converge on Lilith’s salvation as she faces bitter defeat and comes to accept the life-restoring death offered by Adam and Eve. George MacDonald’s universalism is openly defended in this story. Generally well within the bounds of historic Christian teaching (on Christology, trinitarianism, etc.), this is one point on which George MacDonald dissents. In Lilith, Adam says that even Satan (reduced to a dimensionless although expansive and sinister shadow who follows Lilith with a desperate and dependent hunger) will one day give up his flight from God’s love and submit to the memory-restoring sleep of death (ultimately given back his purpose as a creature of God). This salvation of Satan is a heterodox speculation for which the great Origin was sanctioned.

George MacDonald is a profound metaphysician, and this heterodox claim for Satan does not negate an otherwise profound understanding of God’s goodness in creation, the bottomless of our suffering and evil, and the faithful depths to which God will go in restoring us to Himself. Lilith is largely about soteriology, and his heterodox claims are not integral to the insights at the core of his story. While MacDonald’s doctrine of salvation strays far from the typical framework of his own Presbyterian tradition, it is faithful to the oldest ideas of the church fathers. The story of Lilith connects salvation to death and suffering. Adam speaks repeatedly about the need to die and about the presence of true life within death itself. Maximus the Confessor crystallizes the teachings of all the church fathers (including, prominently, that of Irenaeus) when he describes the trick that God played by entering into death itself and placing the source of life at the heart of death. Jesus Christ gave death a new purpose as a weapon that destroys sin instead of a weapon that destroys human nature:

[T]he Lord, …naturally willed to die…. Clearly he suffered, and converted the use of death so that in him it would be a condemnation not of our nature but manifestly only of sin itself. …The baptized acquires the use of death to condemn sin. …Christ, the captain of our salvation (Heb 2:10), turned death from a weapon to destroy human nature into a weapon to destroy sin. [Ad Thalassium 61 “On the Legacy of Adam’s Transgression.”]

Upon the verge of following the Little Ones into the very presence of Jesus Christ (described only as “the beautifullest man” and whose only words are recounted by “the smallest and most childish of the voices” as “’Ou’s all mine’s, ‘ickle ones: come along!”), Mr. Vane finds himself suddenly back in this world, alone among his library books. Returning to his own life, Mr. Vane reports that he does not see any of the characters from Adam’s realm again, with one exception: “Mara is much with me. She has taught me many things, and is teaching me more.”

Mara, as the Lady of Sorrow who helps each one in the searching out of their own hearts, certainly has much in common with Mary:

And all who heard it wondered at what the shepherds told them. But Mary treasured up all these things, pondering them in her heart. …Simeon blessed them and said to Mary his mother, “Behold, this child is appointed for the fall and rising of many in Israel, and for a sign that is opposed (and a sword will pierce through your own soul also) so that thoughts from many hearts may be revealed.” [Luke 2]

Mary is the ultimate point of contact between God and His rebellious creation. Her “let it be to me according to your word” opens the way for God to be present with his fallen creatures in their suffering and death, making their suffering and death into something new, into something divine. Just as Mary is the only point of contact between our fallen humanity and God, so Mara is the only point of contact between our mortal history and the world of myth and faerie. And in both cases, the point of contact is our suffering and sorrow, where God meets us and transforms the purpose of our suffering and death. George MacDonald has this message throughout his writings:

The Son of God suffered unto the death, not that men might not suffer, but that their sufferings might be like His. [George MacDonald in “The Consuming Fire” from Unspoken Sermons (First Series), 1867. This passage has also been quoted by Madeleine L’Engle in Walking on Water: Reflections on Faith and Art and by C.S. Lewis in The Problem of Pain.]

Mary’s most glorious appearance in the Bible is in Revelation chapter 12, which is marked by both celestial glory and intense earthly suffering:

And a great sign appeared in heaven: a woman clothed with the sun, with the moon under her feet, and on her head a crown of twelve stars. She was pregnant and was crying out in birth pains and the agony of giving birth. [For an excellent scholarly exposition of this passage, see the transcription of this lecture by Scott Hahn.]

Mary, like us, was and is vulnerable. She suffered and fled to Elizabeth in the face of expulsion from her community. But she is also the heavenly Queen Mother, and we understand her in the characters of Eve, Mara, Lona, and Galadriel. We also understand her in the tyrants of Lilith and Jadis, those self-imposed queens who hate the destiny of Adam and all his children, those mothers-apposed-to-God who hate the thought of their children bearing God’s image and mediating God’s presence.

In the end, Mara patiently but persistently reveals that this life of mediating God’s presence is available only within suffering and death because creation has fled from God and God has met us at the end of our flight from Him. This is why Mr. Vane comes so close to seeing Jesus Christ in this vision (hearing the Little Ones exclaim as they encounter Jesus) but parts the final veil himself only to find himself alone within his library again, with only Mara and bitterness as his teacher.

Nativity is the intrusion of God’s glorious intention and conclusion into the midst of our moment-by-moment travails in this life. George MacDonald’s story allows Mr. Vane to experience this end briefly without reaching it fully. In this attempt to describe God’s purposes for humanity, George MacDonald pushes his language to the limit. Humanity is the living point of contact between God and His creation—the interplay or amplification-chamber of thanksgiving, consciousness, and desire—where creation knows its Creator. This is humanity’s purpose and life as the priest and the divine image within the temple of creation:

Every growing thing showed me, by its shape and colour, its indwelling idea—the informing thought, that is, which was its being, and sent it out. …I lived in everything; everything entered and lived in me. To be aware of a thing, was to know its life at once and mine, to know whence we came, and where we were at home. …When a little breeze brushing a bush of heather set its purple bells a ringing, I was myself in the joy of the bells, myself in the joy of the breeze to which responded their sweet TIN-TINNING, myself in the joy of the sense, and of the soul that received all the joys together. To everything glad I lent the hall of my being wherein to revel.

…Now, the soul of everything I met came out to greet me and make friends with me, telling me we came from the same, and meant the same. …Two joy-fires were Lona and I [a new Adam and Eve]. Earth breathed heavenward her sweet-savoured smoke; we breathed homeward our longing desires. For thanksgiving, our very consciousness was that.

Mr. Vane does not stay here with Lona but returns very shortly after this scene to life alone with the Mother of Sorrow for his only teacher. However, Mary’s Magnificat announces that God is with the down-trodden. “He has put down the mighty from their seat: and has exalted the humble and meek.” At the climax of Mara’s ministry to Lilith, Mara can do nothing herself but sit down to weep as Lilith suffers:

Then came the most fearful thing of all. I did not know what it was; I knew myself unable to imagine it; I knew only that if it came near me I should die of terror! I now know that it was LIFE IN DEATH—life dead, yet existent; and I knew that Lilith had had glimpses, but only glimpses of it before: it had never been with her until now. …Mara buried her head in her hands. I gazed on the face of one who knew existence but not love—knew nor life, nor joy, nor good; with my eyes I saw the face of a live death! She knew life only to know that it was dead, and that, in her, death lived. It was not merely that life had ceased in her, but that she was consciously a dead thing. She had killed her life, and was dead—and knew it. She must DEATH IT for ever and ever! She had tried her hardest to unmake herself, and could not! she was a dead life! she could not cease! she must BE! In her face I saw and read beyond its misery—saw in its dismay that the dismay behind it was more than it could manifest. It sent out a livid gloom; the light that was in her was darkness, and after its kind it shone. She was what God could not have created. She had usurped beyond her share in self-creation, and her part had undone His! She saw now what she had made, and behold, it was not good! She was as a conscious corpse, whose coffin would never come to pieces, never set her free!

Lilith is all of us. We are Adam’s first family. Lilith is Eve without God’s unmerited grace (to use a little Presbyterian lingo). Lilith is Eve without Seth and Mary. Take or leave any part of Lilith and her story, and you are still left with Adam, Eve, and all of their children. When the end finally comes for Lilith, and she yields to Mara, we see a picture of ourselves accepting our poverty and our need apart from God:

Without change of look, without sign of purpose, Lilith walked toward Mara. She felt her coming, and rose to meet her. …Like her mother, in whom lay the motherhood of all the world, Mara put her arms around Lilith, and kissed her on the forehead. The fiery-cold misery went out of her eyes, and their fountains filled. She lifted, and bore her to her own bed in a corner of the room, laid her softly upon it, and closed her eyes with caressing hands.

Lilith lay and wept. The Lady of Sorrow went to the door and opened it.

Morn, with the Spring in her arms, waited outside.

At Christmas, it is the Lady of Sorrow who opens the door for morning and spring to enter our world and our lives. God’s arrival as a baby does not spare the innocent children from tyrannical slaughter, but this baby who is driven into exile with his young mother will establish a Kingdom that belongs to “such as these.” This “beautifullest man” will always welcome the “smallest and most childish” with: “You’re all mine, little ones. Come along!”

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December 22, 2017

that their sufferings might be like His

The Son of God suffered unto the death, not that men might not suffer, but that their sufferings might be like His.

George MacDonald in “The Consuming Fire” in Unspoken Sermons [First Series], 1867. [This passage has also been quoted by Madeleine L’Engle in Walking on Water: Reflections on Faith and Art and by C.S. Lewis in The Problem of Pain.]

December 17, 2017

annihilation itself is no death to evil

Annihilation itself is no death to evil. Only good where evil was, is evil dead. An evil thing must live with its evil until it chooses to be good. That alone is the slaying of evil.

…None but God hates evil and understands it.

George MacDonald (Lilith)

December 17, 2017

Death shall be the atonemaker

“And now Death shall be the atonemaker.” ….We passed Eve with Lilith in her arms, and went farther in. “You shall not go to the Shadow. …Even now is his head under my heel!”

Eve speaking to Lilith (George MacDonald)

October 26, 2017

the end of the world was long ago

For the end of the world was long ago,
And all we dwell to-day
As children of some second birth,
Like a strange people left on earth
After a judgment day.

From “The Ballad of the White Horse” by
G.K. Chesterton.

March 20, 2017

destroying sin through the instrumentality of death

There is a whole lot in my paltry readings of Maximus the Confessor that I don’t understand. However, I continue, and Maximus rewards patience time and again.

Here’s a recent example. Maximus says that Jesus came to give human death a new purpose. He made death into a weapon that we can use against our own sin. This confused me a lot at first, so let me set up the theological background a little more.

Death is simply a natural result of sin. We sometimes read Genesis as if God proclaimed that death would be the punishment for sin. In fact, God was not “assigning a consequence” but simply pointing out a reality about life. Death is fair (or just) because it is a natural extension of sin. This is because sin is turning away from God who is the loving source of life.

Moreover, death became tied up with human nature because our first sin caught us all in bonds of pain and pleasure. Our first sin left us serving a vicious tyranny of the urgent, always fleeing a pain or pursuing a pleasure that seemed more near-at-hand than God’s presence. It became natural for humans to pursue anything but God, and mortality became a human characteristic. It is terrible to think of death as natural to those made in God’s image, but we all learn to see each other in this world as destined for death instead of God. Socrates takes it as an axiom that “man is mortal.”

Maximus also points out that death and suffering are merciful because they keep us from going too far off course while we wander between increasingly extreme fears of pain or desires for pleasure. Although death is merciful in a way, God did not impose death on us as either a kindness or a punishment (most fundamentally). Death is simply reality apart from life with God. As love and the source of life, God hates death.

Moving a step further, human death attacks the core of God’s purpose in creation. Humans were made uniquely to ensure that all creatures would enjoy and display God’s love. By sinning (turning from God to pursue another source of goodness), the image bearers of God tangled up their own natures with death itself, entrapped there by pain and pleasure. Instead of promoting and protecting life in all creation, God’s image became connected to death by our sin. God’s image brought death to the world.

To set up a little background, I’ve wandered from Maximus’ main point (and wandered into a few points of my own, no doubt). Maximus is focused on explaining exactly how salvation is accomplished by Jesus Christ within this situation. Because God’s image became connected to death by our sin and brought death to all creation, Maximus shows how Christ becomes a human and used human death as an ingenious weapon against sin. Maximus says that Jesus Christ “turned death from a weapon to destroy human nature into a weapon to destroy sin.” This attack on our sin gives us a new weapon and opens a way for the curse on all of creation to be undone. Christ surprised the devil and death itself by giving this new purpose to human death. By becoming human and repurposing death, God restored to humans a way to serve again as the image of God.

Maximus explains at length how this was possible. Christ fully took on our own human desires for pleasure and our fears of pain, all the realities of our sins, while remaining free from committing any sins of his own. Therefore, death was not a natural or just consequence for Christ. The normal purposes of death did not apply to Christ, and he was able to give death a surprising new purpose. I won’t go into further details, but this surprise move required all that Jesus Christ was (as fully God and fully human).

This noble use of death to restore life with God is full of profound encouragements and implications regarding how to suffer and to carry our own cross with Jesus Christ each day in this life, even into our own eventual deaths. Amazingly, Maximus claims that “the baptized acquires the use of death to condemn sin.” Christ has now given death to each of us to use as a weapon against our own sin. Christ changed the function of death for all of those who unite themselves to Christ. In Christ, humans can learn to accept everyday experiences of suffering and death in ways that free us from our sin. Maximus is giving a theological basis for the Christian practices of asceticism and mortification (which are very easily abused and misunderstood).

Pointing continually to the work of Christ, Maximus points us to the only perfect example of how to use death as a weapon against sin. However, Maximus the Confessor, as a follower of Christ, is himself a profound example. All those tortured for Jesus Christ were called “Confessors.” In Maximus’ case, he insisted on confessing the truth even when they promised to cut out his tongue and remove his right hand for preaching or writing one more word about who Jesus was. That didn’t stop him.

Here are some passages from Maximus himself (from Ad Thalassium 61 “On the Legacy of Adam’s Transgression”):

For if the deviance of free choice [by Adam] introduced passibility, corruptibility, and mortality in Adam’s nature, it only followed that in Christ, the immutability of free choice, realized through his resurrection, introduced natural impassibility, incorruptibility, and immortality.

…He exhibited the equity of his justice in the magnitude of his condescension, when he willingly (κατὰ θέλησιν) submitted to the condemnation imposed on our passibility (τὸ παθητόν) and turned that very passibility into an instrument for eradicating sin and the death which is its consequence—or in other words, for eradicating pleasure and the pain which is its consequence. For it was in human passibility that the power of sin and death (the tyranny of sin connected with pleasure and the oppression associated with pain) all began. Indeed, the rule of pleasure and pain over our nature clearly originated in the liability to passions. Wanting to escape the oppressive experience of pain we sought refuge in pleasure, attempting to console our nature when it was hard-pressed with pain’s torment. Striving to blunt pain’s spasms with pleasure, we merely sanctioned against ourselves a greater debt (cf Col 2:14) of pain, powerless to disconnect pleasure from pain and its toils. But the Lord exerted manifest strength of transcendent power by inaugurating for human nature a birth unchanged by the contrary realities (of pleasure and pain) which he himself experienced. For having given our human nature impassibility through his Passion, remission through his toils, and eternal life through his death, he restored that nature again, renewing the habitudes of human nature by his own deprivations in the flesh and granting to human nature through his own incarnation the supernatural grace of deification.

…Therefore death, in its dynasty, dominates all of human nature because of the transgression. …But the Lord, …naturally willed to die…. Clearly he suffered, and converted the use (χρῆσις) of death so that in him it would be a condemnation not of our nature but manifestly only of sin itself.

The baptized acquires the use of death to condemn sin. …Such will ensue if indeed the saints, for the sake of truth and righteousness, have virtuously finished the course of this life with its many sufferings, liberating their nature within themselves from death as a condemnation of sin and, like Christ, the captain of our salvation (Heb 2:10), turned death from a weapon to destroy human nature into a weapon to destroy sin.

From the translator’s notes:

Maximus repeats here his slightly earlier affirmation that Christ “converted the use of death” (τὴν τοῦ θανάτου χρῆσιν ἀντέστρεψιν) so as to condemn sin and not human nature itself. We already see in Ad Thal. 42 (translated above) Maximus’s larger perspective on Christ’s assumption of human passibility in its fullness, becoming the “sin” which is a consequence of the fall (but not the “sin” committed in moral acts) and so for our sakes taking on the mortality which is its condemnation. Recalling here the christianized Stoic idiom of “good use” of the human passions (cf Ad Thal. 1), Maximus describes Christ “using” death, the ultimate “passion” and the end of human passibility, as a redemptive instrument. Elsewhere, Maximus speaks of Christ’s blameless use of the fear of death (Disputation with Pyrrhus, PG 91:297B), for Christ alone turns it into a “voluntary” fear that encourages the Christian faithful in their own confrontation with death (Opusc. 7, PG 91:80D; cf Comm. on the Lord’s Prayer, CCSG 23:34, 135–35, 142).

…Maximus is insistent that the Christian appropriates Christ’s own good “use” of the ultimate passion of death (see note 9 above) by his or her own discipline of mortification. One should not overlook his important distinction between destroying death and destroying sin through the instrumentality of death.

March 7, 2017

souls often harden during the course of life

From Eugene Vodolazkin’s Laurus:

Leave her here, wept Arseny’s soul, she and I have become entwined. Get used to separation, said Death, it is painful, even if it is only temporary. Will we recoginze each other in eternity? asked Arseny’s soul. That depends in large part on you, said Death, Souls often harden during the course of life, and then they barely recognize anyone after death. If your love, O Arseny, is not false and does not fade with the passage of time, one might ask, why would you not recognize each other there, where there be not illness, not sorrow, not groaning, but where there shall be everlasting life? Death patted Ustina’s soul on the cheek. Ustina’s soul was small, almost childlike. Her response to the affectionate gesture was more likely fear than gratitutde. This is how children respond to those who take them from their kin for an indefinite period: life (death) for them will, perhaps, not be bad, but it will be completely different from what they are used to, lacking the former stucture familiar events, and turns of speech. As they leave, they keep looking back and seeing their frightened reflections in the teary eyes of their kin.

July 16, 2016

the full participation of the living with the dead

How the First Christians Changed Dying by William E. Kangas:

The fathers of the church did not view theology as being dangerous if it denied God’s wrath, but rather if it denied God’s suffering.

…As many Christians were killed for their faith, the book of Revelation opens up heaven and shows the reader that death is not an end. At the center of the worship of heaven is a Lamb who was slain. The martyrs are there with Christ, as are the apostles. The format seems to follow some of the early conventions of worship at the time. In many ways the book of Revelation teaches the early Christians that their worship together is a way to participate with all those who have gone before in feasting with the crucified Lord that reigns in heaven.

…Although we cannot know for certain how the author of Revelation viewed their work in relation to the liturgy, it seems clear that there is a reflection of many liturgical themes throughout the book. The author clearly believed there was a connection between how the Christians in his community worshipped and how the dead in Christ worshiped. Christian worship, in a very real sense, was seen as a foretaste of death. Because of Jesus, death was no longer something bitter, but it had become something sweet. The sacrament was a window into eternal life and offered a picture of death to the living.

…For those born in the first century CE the understanding of death was significantly different from how many in the west today experience it. If one was a Roman or a Greek, the traditional religion would have taught them that the dead were inaccessible. The souls of those who had passed away would have been drawn into hades, where no one could enter.

…No matter who one was or where they were born one thing would be certain: the dead and dying were dangerous. Death could have meant many things for a person in the first-century. One might have believed in a bodily resurrection; one might have believed in a spiritual existence; one might not have believed there was existence after death at all. No matter what one believed, no person would have been comfortable with the dead. This is one of the reasons Jesus was so revolutionary.

…The church began to treat the dead as if they were welcome in their lives, rather than curses to be avoided. As Christianity became the dominant form of faith in the Roman world the practice of burial shifted. People began to be buried within the city walls. When the dead cease to be a threat, a burden to, and an adversary to people, there is no longer a need to keep them far away. When the dead become a help, the treatment of their remains reflects this shift. Corpses moved from a place of exclusion at the outskirts of society to a place where they were embraced at the center of the community’s life. Since the body is seen as something that will be raised, it becomes something that is treasured and treated as holy.

…Sometimes scholars are shocked to see how flagrantly Christians violated the social norms of their day relating to death. They wonder why Christians began to embrace the dead, bringing them into social spaces and bringing the remains into their worship together. They would gather the bodies of those who had died (and even the scraps of their clothing) and hold them close to them, treating them as “gold and precious stones.” They would even make a point to travel to the remains of the dead on pilgrimage. From a sociological perspective, this kind of behavior seems baffling, but if one tries to imagine what the message of Jesus would have been like to people in the first centuries of the church it is easier to understand why the world began to change.

The full participation of the living with the dead was seen as an integral part of the gospel since all were made one in Jesus. To be able to come with joy to the dead was revolutionary.

…In a world where the corpse can no longer contaminate, the dead are no longer to be feared. This is an emerging epoch and a new reality. Although it is still sad to be parted from loved ones, the sadness of the grave does not deprive a mourner of their friend or relative completely.

…At first this idea seemed to resonate among the disenfranchised in the Roman world. Those who had been controlled through the fear of death by those in power found this new reality to have an unheard of potential to bring freedom. Death was not an end but a beginning. Execution was not a shame any longer but it could be a glory, if a person gave their life as a result of imitating Christ. There was a power in poverty that could break the authority of the rulers.

…The freedom of the Christian from death was infectious. When people heard the news it was difficult to believe, but as time went on the lives of Christians showed a real conviction that God had indeed achieved victory over death. Christians were living differently, and their lives became testimonies that they did not fear death any longer.

…The Christians did not only flaunt death at the hands of the Empire, they also showed no regard for it in their service to the dying. Christians were known for their compassion for the sick; when the plague would come into a city, they cared for the afflicted. While everyone else fled the city in fear, the followers of Jesus would stay behind with the suffering. …People were amazed at the compassion of these early Christians and saw evidence in their seeming supernatural resistance to disease of God at work in their lives.

…By the middle of the third century the church had become centers of care throughout the empire for all people in need. In Rome alone the church was supporting fifteen hundred people in need. They took in the widows, the homeless, and the sick. They cared for the destitute and the shipwrecked. These early Christians would seek out those in the most need and hold them as their dearest treasures. These Christians saw Christ in those who were broken and sought to bring the new economy of Christ to them through their own love and care.

…Christians saw Jesus as a man who walked through death and brought forth life. …As the first Christians looked to Jesus, they began to see their life together as part of a new reality, one that restored what they believed had been lost long ago. …Irenaeus of Lyons taught that the new paradise on earth was the church. He stated that the church was planted by God to restore again what was lost before.

…Death was no longer a force of chaos, and the dead were no longer gone. …The dead were tangible members of a tangible world that was being transformed…. History had a place in this new reality, and the dead were seen as just as much a part of the world as the living.

June 13, 2016

far more interested in hearing about the tournament than in worrying about deaths that had happened hundreds of years ago

“Death toll,” Hermione whispered, looking alarmed. But her anxiety did not seem to be shared by the majority of students in the Hall; many of them were whispering excitedly to one another, and Harry himself was far more interested in hearing about the tournament than in worrying about deaths that had happened hundreds of years ago.

“There have been several attempts over the centuries to reinstate the tournament,” Dumbledore continued, “none of which has been very successful. However, our own departments of International Magical Cooperation and Magical Games and Sports have decided the time is ripe for another attempt. We have worked hard over the summer to ensure that this time, no champion will find himself or herself in mortal danger.”

From J.K. Rowling in Harry Potter and the Goblet of Fire.

April 30, 2016

through the dispensation of death in the flesh He rested

Orthodox hymns and prayers from Holy Saturday Morning (with the Divine Liturgy of Saint Basil and the “Leading out” from Hades):

…Today Hades cried out groaning: Would that I had not received Him Who was born of Mary, for He came to me and broke my power; He shattered the gates of brass, and as God He raised up the souls which I had previously held. Glory to Your Cross, O Lord, and to Your resurrection.

…Today Hades cried out groaning: My authority has been broken down; I received a mortal, as one of the mortals; but I did not prevail against this One; I perish with Him and with those I had previously ruled. From eternity I had held the dead, but behold, He raises up all. Glory to Your Cross, O Lord, and to Your resurrection.

…Today Hades cried out groaning: My power has been trampled upon; the Shepherd has been crucified, and He raised up Adam; I have been deprived of those over whom I ruled, and I have disgorged all those whom I swallowed in my strength. He Who was crucified has cleared the tombs, and the power of death does not prevail. Glory to Your Cross, O Lord, and to Your resurrection.

…The great Moses mystically foreshadowed this day, saying: And God blessed the seventh day. This is the blessed Sabbath; it is the day of rest, and on it the only-begotten Son of God rested from all His works. And, through the dispensation of death in the flesh, He rested. On this day He returned again through the resurrection, and as a righteous and merciful Lord He has bestowed eternal life upon us.

…Let all mortal flesh keep silent, and stand in fear and trembling, giving no thought to things of the earth. For the King of kings and the Lord of lords comes forth to be sacrificed, and given as Food to the faithful. Before Him go the choirs of Angels, with all the Principalities and Powers….

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