Wondering Where Music and Laughter Come From

We have two extended family chat threads where all the living grandparents, aunts, uncles, nieces and nephews read brief messages and share photos (or occasional videos and memes) from everyone else in a setting that is private to ourselves. (One is on my side of the family and the other is with the family of my wife, Elizabeth.) This practice in each extended family has its moments of fatigue, hurt and confusion of course (and more often than not, these are my fault), but both are ultimately a source of connection and joy to all of us Harrisburg Hakes.

Yesterday, my little sister Elsie shared a post—a less frequent and delightful event in my large family, where I am the oldest (and most obnoxious) of nine siblings (now much extended by our marriages and children). I got her permission to share her comment here on my blog (as well as my father’s permission because Elsie is not yet 18):

Jesse, I’ve enjoyed your comments on the Splintered Light book [by Verlyn Flieger], and am interested in reading it at some point. Here is a memory that I have that goes along with that quote and which would be of interest to you all. A few years before he passed away, Uncle Jerry sent me an email in which he said that he wondered where music and laughter came from. Since then, I had / have toyed with writing a story where music and laughter are in the form of two great waterfalls, and are kept by the Light People. Jesse, you would probably have a better idea and form of conveying those than I do, so I’ll just put it out there. I love you all very much my dear family! May God bless you richly!

I assured Elsie that I would not have a better idea than hers for conveying this idea regarding the source of music and laughter. Both Tolkien and Lewis, I am sure, would fully understand and appreciate these two great waterfalls kept by the Light People.

Also following up in response to Elsie, my sister Katie (mother of seven) shared this passage with waterfalls and song from Psalm 42:7-8 (that Katie had read the same day):

Deep calls to deep at the roar of your waterfalls; all your breakers and your waves have gone over me. By day the LORD commands his steadfast love, and at night his song is with me, a prayer to the God of my life.

I’m tempted to write more, but I’ll just note a little here about my Uncle Jerry, my mother’s oldest brother. He was the first of the five children (my mother and her four siblings) in that family to pass away. My mother was the second of those five to die when we lost her about two years ago. My Uncle Jerry started his adult life as a high-school English teacher but eventually ended up building a large and successful swimming pool construction company. He was a generous man who lived large and who loved to laugh and who always resisted making too many claims about God (or any related matters). In some ways Uncle Jerry was a lost sheep (within a family that sometimes seemed to specialize in lost sheep). Near the end of his life, he remarried my Aunt Dotty (who he had divorced for a period of many years) and settled down, much to his mother’s delight. However, he still did not approve of those who claimed to know much about God. His comment to Elsie was typical, however. He promoted wonder. And it’s a blessing to have a little sister who values and continues that legacy. Lord have mercy on me and grant me a heart that does not falter in wonder.

Fairy Glen, Isle of Skye, Scotland (photo from online but a place that I have visited with Elizabeth many moons ago)

the Mountains rang with it

This is the ending to J.R.R. Tolkien’s short story “Leaf by Niggle.” I love this story of how a modest lifetime is made to be of great worth: “for many it is the best introduction to the Mountains.” It is also noteworthy that Tolkien fills the highest heights of heaven with ringing laughter (in an ending that echoes Chesterton’s ideas about God and laughter).

“It is proving very useful indeed,” said the Second Voice. “As a holiday, and a refreshment. It is splendid for convalescence; and not only for that, for many it is the best introduction to the Mountains. It works wonders in some cases. I am sending more and more there. They seldom have to come back.”

“No, that is so,” said the First Voice. “I think we shall have to give the region a name. What do you propose?”

“The Porter settled that some time ago,” said the Second Voice. “Train for Niggle’s Parish in the bay: he has shouted that for a long while now. Niggle’s Parish. I sent a message to both of them to tell them.”

“What did they say?”

“They both laughed. Laughed—the Mountains rang with it!”

the giant laughter of Christian men that roars through a thousand tales

Then Alfred laughed out suddenly,
Like thunder in the spring,
Till shook aloud the lintel-beams,
And the squirrels stirred in dusty dreams,
And the startled birds went up in streams,
For the laughter of the King.

And the beasts of the earth and the birds looked down,
In a wild solemnity,
On a stranger sight than a sylph or elf,
On one man laughing at himself
Under the greenwood tree–

The giant laughter of Christian men
That roars through a thousand tales,
Where greed is an ape and pride is an ass,
And Jack’s away with his master’s lass,
And the miser is banged with all his brass,
The farmer with all his flails;

Tales that tumble and tales that trick,
Yet end not all in scorning–
Of kings and clowns in a merry plight,
And the clock gone wrong and the world gone right,
That the mummers sing upon Christmas night
And Christmas Day in the morning.

“Now here is a good warrant,”
Cried Alfred, “by my sword;
For he that is struck for an ill servant
Should be a kind lord.

“He that has been a servant
Knows more than priests and kings,
But he that has been an ill servant,
He knows all earthly things.

“Pride flings frail palaces at the sky,
As a man flings up sand,
But the firm feet of humility
Take hold of heavy land.

“Pride juggles with her toppling towers,
They strike the sun and cease,
But the firm feet of humility
They grip the ground like trees.”

From “The Ballad of the White Horse” by
G.K. Chesterton.

Learning to Laugh with Angels

He remembered a hornbill, which was simply a huge yellow beak with a small bird tied on behind it. The whole gave him a sensation, the vividness of which he could not explain, that Nature was always making quite mysterious jokes. …He wondered whether even the archangels understood the hornbill.

Coming across this passage yesterday in G.K. Chesterton’s The Man Who was Thursday and being flat on my back today with a high fever, I spent some time reflecting on his theme of heavenly humor. This topic is taken up by several other Christain authors including C.S. Lewis. For example, this scene in The Magician’s Nephew when a Jackdaw has an awkward moment just after Aslan has given voices to all of the animals in the new world of Narnia:

“Laugh and fear not, creatures. Now that you are no longer dumb and witless, you need not always be grave. For jokes as well as justice come in with speech.”

So they all let themselves go. And there was such merriment that the Jackdaw himself plucked up courage again and perched on the cab-horse’s head, between its ears, clapping its wings, and said:

“Aslan! Aslan! Have I made the first joke? Will everybody always be told how I made the first joke?”

“No, little friend,” said the Lion. “You have not made the first joke; you have only been the first joke.” Then everyone laughed more than ever; but the Jackdaw didn’t mind and laughed just as loud till the horse shook its head and the Jackdaw lost its balance and fell off, but remembered its wings (they were still new to it) before it reached the ground.

Chesterton, like Lewis, clearly had a high view of humor and defended it often. His two main themes on the topic are the goodness of human laughter vs. the awfulness of divine laughter. Chesterton suggests that human laughter is an almost unmitigated good. Here are several examples from over the course of his lifetime:

  • Laughter has something in it in common with the ancient winds of faith and inspiration; it unfreezes pride and unwinds secrecy; it makes men forget themselves in the presence of something greater than themselves; something (as the common phrase goes about a joke) that they cannot resist.
  • For solemnity flows out of men naturally; but laughter is a leap. It is easy to be heavy: hard to be light. Satan fell by the force of gravity.
  • Man is more himself, man is more manlike, when joy is the fundamental thing in him, and grief the superficial.
  • Moderate strength is shown in violence, supreme strength is shown in levity.
  • It is the test of a good religion whether you can joke about it.
  • Angels can fly because they can take themselves lightly.

And this one (which most directly sheds light on the hornbill passage at the start of this post):

Nature is our sister. We can be proud of her beauty, since we have the same father; but she has no authority over us; we have to admire, but not to imitate. This gives to the typically Christian pleasure in this earth a strange touch of lightness that is almost frivolity. Nature was a solemn mother to the worshipers of Isis and Cybele. Nature was a solemn mother to Wordsworth or to Emerson. But Nature is not solemn to Francis of Assisi or to George Herbert. To St. Francis, Nature is a sister, and even a younger sister: a little, dancing sister, to be laughed at as well as loved.

In another vein, however, Chesterton suggests that God’s laughter is a serious (even terrible) thing—too wonderful for us—something that we must be protected from or that we are mercifully incapable of hearing:

We are perhaps permitted tragedy as a sort of merciful comedy: because the frantic energy of divine things would knock us down like a drunken farce. We can take our own tears more lightly than we could take the tremendous levities of the angels. So we sit perhaps in a starry chamber of silence, while the laughter of the heavens is too loud for us to hear.

In a later passage, Chesterton suggests that divine laughter is not so much inaudible to us as it is mercifully hidden us:

The tremendous figure which fills the Gospels towers in this respect, as in every other, above all the thinkers who ever thought themselves tall. His pathos was natural, almost casual. The Stoics, ancient and modern, were proud of concealing their tears. He never concealed His tears; He showed them plainly on His open face at any daily sight, such as the far sight of His native city. Yet He concealed something. Solemn supermen and imperial diplomatists are proud of restraining their anger. He never restrained His anger. He flung furniture down the front steps of the Temple, and asked men how they expected to escape the damnation of Hell. Yet He restrained something. I say it with reverence; there was in that shattering personality a thread that must be called shyness. There was something that He hid from all men when He went up a mountain to pray. There was something that He covered constantly by abrupt silence or impetuous isolation. There was some one thing that was too great for God to show us when He walked upon our earth; and I have sometimes fancied that it was His mirth.

In an even more serious-sounding passage that I cannot find, Chesterton says (if my memory serves me), that exposure to the raw power of our Creator’s laugh, in our current sickened condition, would virtually unmake us. Certainly God’s laughter in some Old Testament passages is something very close to judgement. We may also, perhaps, learn something about God’s humor (and I say this tentatively because I doubt that I am right but I still think it worth considering) through a study of the lives of holy fools or through the preaching and the satirical skits of certain Old Testament prophets (see God’s compromise with Ezekiel in 4:15, for example).

Of course, this point about God’s laughter being dangerous is part of a larger theme in Chesterton as well as Lewis and Tolkien: heavenly things are so good that they (in one sense) pain or hurt us in our current condition. In The Great Divorce, Lewis famously describes people from hell stepping off of a bus that has taken them to heaven. They decide that the grass in heaven is too painfully real. They would rather return to hell than endure the too-substantial grass of heaven. However (and Lewis would agree), God’s goodness is always and ultimately wholesome, even when it pains us. We see this perfectly in Jesus Christ. His divine humor may have been heavily veiled as Chesterton suggests, but Jesus clearly teased and jested with those closest to Him. This simple human laughter of Jesus never comes up directly in scripture, but it is easy to imagine what a gift it would have been in the hearts of those who loved Him. In helpful contrast to Chesterton’s reflections on Christ’s awful and hidden divine humor, Patrick Henry Reardon talks about Christ’s sense of humor, and Reardon fully humanizes it. He makes the case that Christ regularly enjoyed laughter with those closest to him:

Jesus related to these original disciples—even from the beginning—as ‘individuals,’ as particular men. He does not permit their specific identities to become lost in the group. Philip, Andrew, Thomas, and the others preserve their individual characters. Observe, for instance, how he teases them. Jesus’ irony toward Nathaniel is a perfect example of this [John 1:45-47].

…What shall we say of the nickname Jesus gave to the two sons of Zebedee: James and John? He called them “sons of thunder,” which in our modern idiom would be “hotheads.” One suspects the brothers received this moniker because … they [once] said, “Lord, do You want us to command fire to come down from heaven and consume them, just as Elijah did?” (Luke 9:52–54)

…Luke relished the irony of it: John bar Zebedee … got his wish … when the church at Jerusalem sent him … as one of its delegates to call down on the Samaritans the true fire from heaven—the Holy Spirit.

…Peter, when he felt enthusiastic, imagined himself invincible … [and ] readily mistook a rush of adrenaline for an outpouring of the Holy Spirit…. Jesus surely recognized the name’s improbability in Peter’s case. The only time [that Peter] showed any rocklike quality was on that memorable occasion when he attempted to walk on water!

…In all these instances, we perceive a light and jocund side of Jesus’ relationship with these men, whom he chose ‘that they might be with Him’ (Mark 3:14). With these disciples, Jesus carried himself as a man among men, to whom he was bound by the sorts of habits, attitudes, and discourse [by which] normal men establish friendships and maintain loyalties.

There are some clear parallels between Reardon’s portrait of Jesus (jesting with his closest followers) and Lewis’ portrayal of Aslan (the first joker encouraging laughter over the vivacious Jackdaw). However, there is also a comforting difference between these two accounts. The humor exercised by Jesus is more gentle, subtle, and deeply personal than that of Lewis’ Aslan. To those learning to follow Him, Christ is a gentle friend (in the aggregate at least).

Finally, in Reardon’s account, Jesus’ joking is connected almost entirely to renaming and nicknames. It is remarkable that Jesus’ humor is bound up so closely with something that is so central to His identity as the Logos, by whose words all things are made and sustained. Naming is a task that God calls humans to share with Him, and Adam’s naming of each animal might have involve more laughter than we imagine. Chesterton may be onto something with his idea that the angels themselves are still learning to laugh at the hornbill. Furthermore, simply by process of elimination, it seems possible that humans with a healthy sense of humor could provide an important example for any angels who are still learning to see God’s mirth on display throughout creation. This line of thinking about Jesus’ enjoyment of clever nicknames also puts new possibilities into play when it comes to the intimate name that Christ has prepared for each of His saints (Revelation 2:17). Each of God’s children may be revealed as an even better joke than the Jackdaw before all is said and done. For my part, I take some comfort in the hope of garnering a few laughs as the trillion-and-first joke when my own time comes.

Nonetheless, if I make light of myself, this is not to make light of humanity or of my own high calling to communion with God. (As Chesterton says: “Only man can be absurd: for only man can be dignified.”) In Christ, Peter did live up to his nickname.

beautiful madness called laughter

From The Everlasting Man by G. K. Chesterton:

It means that somehow or other a new thing had appeared in the cavernous night of nature, a mind that is like a mirror. It is like a mirror because it is truly a thing of reflection. It is like a mirror because in it alone all the other shapes can be seen like shining shadows in a vision. Above all, it is like a mirror because it is the only thing of its kind. Other things may resemble it or resemble each other in various ways; other things may excel it or excel each other in various ways; just as in the furniture of a room a table may be round like a mirror or a cupboard may be larger than a mirror. But the mirror is the only thing that can contain them all. Man is the microcosm; man is the measure of all things; man is the image of God.

…Alone among the animals, he is shaken with the beautiful madness called laughter; as if he had caught sight of some secret in the very shape of the universe hidden from the universe itself.