Posts tagged ‘suffering’

August 23, 2018

if she ever took to praying it would be for that time and all those people

From Lila by Marilynne Robinson:

She meant to ask him sometime how praying is different from worrying. His face was about as strained and Weary as it could be. White as it could be.

Now here she was again, worrying over people who were long past help. You can’t even pray for someone to have his pride back when every possible thing has happened to take it away from him. She thought, everything went bad everywhere and pride like his must have just drifted off the earth, more or less, as quiet as mist in the morning, and people were sad and hard who never were before. Looking into each other’s faces, their hearts sinking.

If she ever took to praying it would be for that time and all those people who must have wondered what had become of them, what they had done to find themselves without so much as a good night’s rest to comfort them. She would call down calm on every one of them, on the worst and the bitterest ones first of all. Doane and Arthur walking away; Mellie, too, never looking back, leaving her an orphan on the steps of a church. Without the bitterness none of that would have happened. If Boughton dropped a lamp and set his house on fire, what would the Reverend say about that? He was looking at her then with as much fear in his eyes as she had ever seen anywhere, even counting those poor raggedy heathens who never thought the Almighty would have the leastibit of interest in them.

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April 2, 2018

Life from Inside of Death

“You may be certain that as long as someone is in hell, Christ will remain there with him.” Elder Sophrony gave this famous reply to a question from Olivier Clement regarding those who will not open their hearts to the love of God. In this Easter season, with Christ’s glorious and victorious resurrection preeminent, it is worthwhile asking if Jesus Christ is still, in any sense, within hell and among the dead. After all, we do see Jesus one time, long after the resurrection, appearing to be dead and yet enthroned in heaven. When we are introduced with John to the glorious “Lion of the tribe of Judah” enthroned in power at the right hand of the Father, what we actually see is “a Lamb as though it had been slain” (Revelation 5:2-10). Even while reigning victoriously from heaven, Jesus Christ is revealed as a victim of sacrifice. Jesus remains, in some important sense, dead.

This idea is in keeping with many fundamentals of biblical truth: that we are united with Christ in his death as well as his life, that we are commanded to take up our cross daily as we follow Jesus, and that we feed ourselves repeatedly upon the sacrificed body and blood of Jesus Christ.

Many mothers and fathers of the church have taught that God is most fully revealed, in all of His glory and power, when Jesus is hanging upon the cross. Fr. Thomas Hopko shared in a lecture that, according to Hugo of St. Victor, “God wants to speak to us, to reveal himself to us, …and when he hangs on the Cross and his arms are open, the Book is open. The Book is totally open, like in the book of Revelation.”

Even before sin and death and all of creation, God was a God who emptied himself. Stephen Freeman has written about an “unfallen suffering” that is found within the life of our Trinitarian God even before creation and outside of time. Each person of the Trinity continually empties themselves in relation to the other persons of the Trinity. Within God’s inner life, there is a profound kind of self-giving, and this should not surprise us because “God is love” (1 John 4:8). Therefore, God has always been one who gives Himself fully, and this God is only perfectly revealed by God’s entire self-emptying upon the cross.

Another way of understanding this is to recognize God’s entire strategy against sin and death itself. As Saint John Chrysostom said in his Paschal Sermon: “Hell was embittered, when it encountered Thee in the lower regions. …It took a dead body, and met God face to face. It took earth, and encountered Heaven.” God’s glorious and all-powerful strategy has always been to enter death itself, to find us at our weakest point and to join us there. Maximus the Confessor said: “Christ, the captain of our salvation, turned death from a weapon to destroy human nature into a weapon to destroy sin” (from Ad Thalassium 61 “On the Legacy of Adam’s Transgression”). By becoming our sin (2 Corinthians 5:21) and entering death with us, Christ transformed death into something life-giving. Maximus further says that “the baptized acquires the use of death to condemn sin.” By joining with us at our weakest point, Christ gives suffering and death back to us as great weapons against the ravages of our soul sickness and sin.

God’s strategy (of entry into death to commune with those who flee from him) has not changed since Christ’s resurrection. Although God’s entry into death is only accomplished in Jesus Christ, we now also participate in it through our union with Christ. God is now entering into suffering and death through all those who commune with Jesus. In fact, this is the only place to find full communion with Christ, the “Lamb slain before the foundation of the world” (Revelation 13:8). We see this at work in every Christian life and when Paul says: “Now I rejoice in what I am suffering for you, and I fill up in my flesh what is still lacking in regard to Christ’s afflictions, for the sake of his body, which is the church” (Colossians 1:24).

Even after the end of time, worship around the throne of our majestic and living king will always include a recognition of his greatest moment: “his voluntary, glorious, and life-giving death” as Christian liturgies repeatedly refer to it. The resurrection power that Jesus Christ displayed on Easter morning came easily to him. His first action after this surge of life brought breath back to his dead body, was to lift the small square of cloth from his face and fold it gently before laying it down. Christ’s great labor came in the final hours of an entire adult life that was directed toward the cross, and this is all that he empowers us to do. If we would seek to exercise the power of God graciously offered to us by Christ’s resurrection, we must shoulder our own cross and pray for the strength to enter death itself. Christ reopened the gates of Paradise that had been shut behind Adam, but he set these gates up just inside the gates of Hades.

January 8, 2018

we all carry within us our places of exile

Whatever we may do, excess will always keep its place in the heart of man, in the place where solitude is found. We all carry within us our places of exile, our crimes and our ravages. But our task is not to unleash them on the world; it is to fight them in ourselves and in others.

―Albert Camus, from The Rebel (1951)

December 23, 2017

Advent Reading of George MacDonald’s Lilith

George MacDonald’s Lilith is almost entirely populated by mothers and children. Therefore, it was natural to think often of Mary and her child while washing dishes and listening to Lilith during this Advent season. (I used an audio recording made by Pete Williams for LibriVox supplemented by occasional references to a free text download from Project Gutenberg.) Lilith: A Romance was George MacDonald’s last fantasy work (1895), and it strongly resembles Phantastes: A Fairie Romance for Men and Women which was his first (1858). Both novellas involve a young man coming of age during the course of a journey through the world of myth and faerie (including encounters with child-like innocents as well as several women who run the gamut from mysterious and majestic to macabre and monstrous).

In Surprised by Joy, C.S. Lewis describes his first reading of Phantastes at age sixteen: “That night my imagination was, in a certain sense, baptized; the rest of me[,] not unnaturally, took longer. I had not the faintest notion what I had let myself in for by buying Phantastes.” All of his life, Lewis was outspoken about his debt to George MacDonald (publishing an anthology of his writings in 1947). In another tribute to MacDonald’s fantasy works, Lewis says in The Lion, the Witch and the Wardrobe (1950) that Jadis (the White Witch) was descended from Adam’s first wife Lilith:

But she’s no Daughter of Eve. She comes of your father Adam’s … first wife, her they called Lilith. And she was one of the Jinn. That’s what she comes from on one side. And on the other she comes of the giants. No, no, there isn’t a drop of real Human blood in the Witch. (8.35)

In his story Lilith, George MacDonald is drawing deep on mystical traditions and apocryphal stories from the Jewish exile period as well as medieval Christianity. These stories depict a host of characters around Adam, including his first wife Lilith. In some stories, Lilith is made from clay at the same time as Adam. In other accounts, Adam and Lilith are made as one person and only later separated by God into male and female. In these stories, Lilith refuses to remain united in purpose with Adam, is caste out of the garden, and intermarries with angels and/or demons to spawn a race of monstrous Jinn. In some accounts, Lilith takes on the body of a serpent, and she is sometimes depicted as the one who slips back into the garden to tempt Eve with the forbidden fruit. Another prominent feature of these stories is that Lilith hates human children and carries them off to feed upon them. In this fresco by Filippino Lippi (1502, Fresco, Strozzi Chapel, Santa Maria Novella, Florence, Italy), Adam is depicted protecting a young boy from Lilith the child snatcher.

Filippino_Lippi-_Adam

George MacDonald’s story of Lilith follows a young man, Mr. Vane, who has inherited an ancient home with a library that was started long before printing. Mr. Vane spends most of his time in this library and finds it frequented by a spectral librarian, Mr. Raven, who has served the family time out of mind. Following this ghostly librarian one day, Mr. Vane wanders into another realm where he learns that Mr. Raven is Adam and that Adam lives with his wife Eve in a home where they tend to all those who are ready to give up their lives and die the death that brings true life. Invited to lie down in his place among these cold sleepers, Mr. Vane finds that he is unable to do it. Instead, he wanders back out and alone into the world outside the great house of Adam and Eve.

Within this realm, over the course of a prolonged adventure, he encounters a girl and two grown women: Lona, Mara, and Lilith. Lona is the innocent child of Adam and Lilith, abandoned at her birth but kept safe from her cannibal mother. He meets Mara and Lilith separately. Mara is a queenly daughter of Eve who tends to all the suffering souls who are still wandering and unready for death. With a biblical name meaning sorrow or bitterness (and often associated with the name Miriam or Mary), Mara is also called the Lady of Sorrow and the Mother of Sorrow. She is a protectress and her home is a sanctuary at times. However, her primary task is to attend upon sorrow and suffering as agents of salvation.

Lona is a child-mother, tending a tribe of abandoned and innocent babes (called “Little Ones” and “Lovers”). These children bring to mind the slaughtered innocents of Bethlehem and of all human history (infants aborted and left to die). They live together in a Paradise of little fruit trees and are only very vaguely threatened by a neighboring tribe of utterly stupid giants.

Several subplots ensue as the story follows Mr. Vane’s wandering and striving within this world. However, all these plots converge on Lilith’s salvation as she faces bitter defeat and comes to accept the life-restoring death offered by Adam and Eve. George MacDonald’s universalism is openly defended in this story. Generally well within the bounds of historic Christian teaching (on Christology, trinitarianism, etc.), this is one point on which George MacDonald dissents. In Lilith, Adam says that even Satan (reduced to a dimensionless although expansive and sinister shadow who follows Lilith with a desperate and dependent hunger) will one day give up his flight from God’s love and submit to the memory-restoring sleep of death (ultimately given back his purpose as a creature of God). This salvation of Satan is a heterodox speculation for which the great Origin was sanctioned.

George MacDonald is a profound metaphysician, and this heterodox claim for Satan does not negate an otherwise profound understanding of God’s goodness in creation, the bottomless of our suffering and evil, and the faithful depths to which God will go in restoring us to Himself. Lilith is largely about soteriology, and his heterodox claims are not integral to the insights at the core of his story. While MacDonald’s doctrine of salvation strays far from the typical framework of his own Presbyterian tradition, it is faithful to the oldest ideas of the church fathers. The story of Lilith connects salvation to death and suffering. Adam speaks repeatedly about the need to die and about the presence of true life within death itself. Maximus the Confessor crystallizes the teachings of all the church fathers (including, prominently, that of Irenaeus) when he describes the trick that God played by entering into death itself and placing the source of life at the heart of death. Jesus Christ gave death a new purpose as a weapon that destroys sin instead of a weapon that destroys human nature:

[T]he Lord, …naturally willed to die…. Clearly he suffered, and converted the use of death so that in him it would be a condemnation not of our nature but manifestly only of sin itself. …The baptized acquires the use of death to condemn sin. …Christ, the captain of our salvation (Heb 2:10), turned death from a weapon to destroy human nature into a weapon to destroy sin. [Ad Thalassium 61 “On the Legacy of Adam’s Transgression.”]

Upon the verge of following the Little Ones into the very presence of Jesus Christ (described only as “the beautifullest man” and whose only words are recounted by “the smallest and most childish of the voices” as “’Ou’s all mine’s, ‘ickle ones: come along!”), Mr. Vane finds himself suddenly back in this world, alone among his library books. Returning to his own life, Mr. Vane reports that he does not see any of the characters from Adam’s realm again, with one exception: “Mara is much with me. She has taught me many things, and is teaching me more.”

Mara, as the Lady of Sorrow who helps each one in the searching out of their own hearts, certainly has much in common with Mary:

And all who heard it wondered at what the shepherds told them. But Mary treasured up all these things, pondering them in her heart. …Simeon blessed them and said to Mary his mother, “Behold, this child is appointed for the fall and rising of many in Israel, and for a sign that is opposed (and a sword will pierce through your own soul also) so that thoughts from many hearts may be revealed.” [Luke 2]

Mary is the ultimate point of contact between God and His rebellious creation. Her “let it be to me according to your word” opens the way for God to be present with his fallen creatures in their suffering and death, making their suffering and death into something new, into something divine. Just as Mary is the only point of contact between our fallen humanity and God, so Mara is the only point of contact between our mortal history and the world of myth and faerie. And in both cases, the point of contact is our suffering and sorrow, where God meets us and transforms the purpose of our suffering and death. George MacDonald has this message throughout his writings:

The Son of God suffered unto the death, not that men might not suffer, but that their sufferings might be like His. [George MacDonald in “The Consuming Fire” from Unspoken Sermons (First Series), 1867. This passage has also been quoted by Madeleine L’Engle in Walking on Water: Reflections on Faith and Art and by C.S. Lewis in The Problem of Pain.]

Mary’s most glorious appearance in the Bible is in Revelation chapter 12, which is marked by both celestial glory and intense earthly suffering:

And a great sign appeared in heaven: a woman clothed with the sun, with the moon under her feet, and on her head a crown of twelve stars. She was pregnant and was crying out in birth pains and the agony of giving birth. [For an excellent scholarly exposition of this passage, see the transcription of this lecture by Scott Hahn.]

Mary, like us, was and is vulnerable. She suffered and fled to Elizabeth in the face of expulsion from her community. But she is also the heavenly Queen Mother, and we understand her in the characters of Eve, Mara, Lona, and Galadriel. We also understand her in the tyrants of Lilith and Jadis, those self-imposed queens who hate the destiny of Adam and all his children, those mothers-apposed-to-God who hate the thought of their children bearing God’s image and mediating God’s presence.

In the end, Mara patiently but persistently reveals that this life of mediating God’s presence is available only within suffering and death because creation has fled from God and God has met us at the end of our flight from Him. This is why Mr. Vane comes so close to seeing Jesus Christ in this vision (hearing the Little Ones exclaim as they encounter Jesus) but parts the final veil himself only to find himself alone within his library again, with only Mara and bitterness as his teacher.

Nativity is the intrusion of God’s glorious intention and conclusion into the midst of our moment-by-moment travails in this life. George MacDonald’s story allows Mr. Vane to experience this end briefly without reaching it fully. In this attempt to describe God’s purposes for humanity, George MacDonald pushes his language to the limit. Humanity is the living point of contact between God and His creation—the interplay or amplification-chamber of thanksgiving, consciousness, and desire—where creation knows its Creator. This is humanity’s purpose and life as the priest and the divine image within the temple of creation:

Every growing thing showed me, by its shape and colour, its indwelling idea—the informing thought, that is, which was its being, and sent it out. …I lived in everything; everything entered and lived in me. To be aware of a thing, was to know its life at once and mine, to know whence we came, and where we were at home. …When a little breeze brushing a bush of heather set its purple bells a ringing, I was myself in the joy of the bells, myself in the joy of the breeze to which responded their sweet TIN-TINNING, myself in the joy of the sense, and of the soul that received all the joys together. To everything glad I lent the hall of my being wherein to revel.

…Now, the soul of everything I met came out to greet me and make friends with me, telling me we came from the same, and meant the same. …Two joy-fires were Lona and I [a new Adam and Eve]. Earth breathed heavenward her sweet-savoured smoke; we breathed homeward our longing desires. For thanksgiving, our very consciousness was that.

Mr. Vane does not stay here with Lona but returns very shortly after this scene to life alone with the Mother of Sorrow for his only teacher. However, Mary’s Magnificat announces that God is with the down-trodden. “He has put down the mighty from their seat: and has exalted the humble and meek.” At the climax of Mara’s ministry to Lilith, Mara can do nothing herself but sit down to weep as Lilith suffers:

Then came the most fearful thing of all. I did not know what it was; I knew myself unable to imagine it; I knew only that if it came near me I should die of terror! I now know that it was LIFE IN DEATH—life dead, yet existent; and I knew that Lilith had had glimpses, but only glimpses of it before: it had never been with her until now. …Mara buried her head in her hands. I gazed on the face of one who knew existence but not love—knew nor life, nor joy, nor good; with my eyes I saw the face of a live death! She knew life only to know that it was dead, and that, in her, death lived. It was not merely that life had ceased in her, but that she was consciously a dead thing. She had killed her life, and was dead—and knew it. She must DEATH IT for ever and ever! She had tried her hardest to unmake herself, and could not! she was a dead life! she could not cease! she must BE! In her face I saw and read beyond its misery—saw in its dismay that the dismay behind it was more than it could manifest. It sent out a livid gloom; the light that was in her was darkness, and after its kind it shone. She was what God could not have created. She had usurped beyond her share in self-creation, and her part had undone His! She saw now what she had made, and behold, it was not good! She was as a conscious corpse, whose coffin would never come to pieces, never set her free!

Lilith is all of us. We are Adam’s first family. Lilith is Eve without God’s unmerited grace (to use a little Presbyterian lingo). Lilith is Eve without Seth and Mary. Take or leave any part of Lilith and her story, and you are still left with Adam, Eve, and all of their children. When the end finally comes for Lilith, and she yields to Mara, we see a picture of ourselves accepting our poverty and our need apart from God:

Without change of look, without sign of purpose, Lilith walked toward Mara. She felt her coming, and rose to meet her. …Like her mother, in whom lay the motherhood of all the world, Mara put her arms around Lilith, and kissed her on the forehead. The fiery-cold misery went out of her eyes, and their fountains filled. She lifted, and bore her to her own bed in a corner of the room, laid her softly upon it, and closed her eyes with caressing hands.

Lilith lay and wept. The Lady of Sorrow went to the door and opened it.

Morn, with the Spring in her arms, waited outside.

At Christmas, it is the Lady of Sorrow who opens the door for morning and spring to enter our world and our lives. God’s arrival as a baby does not spare the innocent children from tyrannical slaughter, but this baby who is driven into exile with his young mother will establish a Kingdom that belongs to “such as these.” This “beautifullest man” will always welcome the “smallest and most childish” with: “You’re all mine, little ones. Come along!”

December 22, 2017

that their sufferings might be like His

The Son of God suffered unto the death, not that men might not suffer, but that their sufferings might be like His.

George MacDonald in “The Consuming Fire” in Unspoken Sermons [First Series], 1867. [This passage has also been quoted by Madeleine L’Engle in Walking on Water: Reflections on Faith and Art and by C.S. Lewis in The Problem of Pain.]

December 9, 2017

invincible struggler

She who hath put on thee, our Christ and God, keepeth her head bowed to thee, along with us. Do thou preserve her as an invincible struggler so as to endure those who bring vain hostility to bear against both her and us; and do thou show forth all as victors unto the end through thine incorruptible crown.

From the baptism service for my infant daughter (part of the “Third Prayer of Ablution” near the end in a service book for the Antiochian jurisdiction of the Orthodox Church).

March 20, 2017

destroying sin through the instrumentality of death

There is a whole lot in my paltry readings of Maximus the Confessor that I don’t understand. However, I continue, and Maximus rewards patience time and again.

Here’s a recent example. Maximus says that Jesus came to give human death a new purpose. He made death into a weapon that we can use against our own sin. This confused me a lot at first, so let me set up the theological background a little more.

Death is simply a natural result of sin. We sometimes read Genesis as if God proclaimed that death would be the punishment for sin. In fact, God was not “assigning a consequence” but simply pointing out a reality about life. Death is fair (or just) because it is a natural extension of sin. This is because sin is turning away from God who is the loving source of life.

Moreover, death became tied up with human nature because our first sin caught us all in bonds of pain and pleasure. Our first sin left us serving a vicious tyranny of the urgent, always fleeing a pain or pursuing a pleasure that seemed more near-at-hand than God’s presence. It became natural for humans to pursue anything but God, and mortality became a human characteristic. It is terrible to think of death as natural to those made in God’s image, but we all learn to see each other in this world as destined for death instead of God. Socrates takes it as an axiom that “man is mortal.”

Maximus also points out that death and suffering are merciful because they keep us from going too far off course while we wander between increasingly extreme fears of pain or desires for pleasure. Although death is merciful in a way, God did not impose death on us as either a kindness or a punishment (most fundamentally). Death is simply reality apart from life with God. As love and the source of life, God hates death.

Moving a step further, human death attacks the core of God’s purpose in creation. Humans were made uniquely to ensure that all creatures would enjoy and display God’s love. By sinning (turning from God to pursue another source of goodness), the image bearers of God tangled up their own natures with death itself, entrapped there by pain and pleasure. Instead of promoting and protecting life in all creation, God’s image became connected to death by our sin. God’s image brought death to the world.

To set up a little background, I’ve wandered from Maximus’ main point (and wandered into a few points of my own, no doubt). Maximus is focused on explaining exactly how salvation is accomplished by Jesus Christ within this situation. Because God’s image became connected to death by our sin and brought death to all creation, Maximus shows how Christ becomes a human and used human death as an ingenious weapon against sin. Maximus says that Jesus Christ “turned death from a weapon to destroy human nature into a weapon to destroy sin.” This attack on our sin gives us a new weapon and opens a way for the curse on all of creation to be undone. Christ surprised the devil and death itself by giving this new purpose to human death. By becoming human and repurposing death, God restored to humans a way to serve again as the image of God.

Maximus explains at length how this was possible. Christ fully took on our own human desires for pleasure and our fears of pain, all the realities of our sins, while remaining free from committing any sins of his own. Therefore, death was not a natural or just consequence for Christ. The normal purposes of death did not apply to Christ, and he was able to give death a surprising new purpose. I won’t go into further details, but this surprise move required all that Jesus Christ was (as fully God and fully human).

This noble use of death to restore life with God is full of profound encouragements and implications regarding how to suffer and to carry our own cross with Jesus Christ each day in this life, even into our own eventual deaths. Amazingly, Maximus claims that “the baptized acquires the use of death to condemn sin.” Christ has now given death to each of us to use as a weapon against our own sin. Christ changed the function of death for all of those who unite themselves to Christ. In Christ, humans can learn to accept everyday experiences of suffering and death in ways that free us from our sin. Maximus is giving a theological basis for the Christian practices of asceticism and mortification (which are very easily abused and misunderstood).

Pointing continually to the work of Christ, Maximus points us to the only perfect example of how to use death as a weapon against sin. However, Maximus the Confessor, as a follower of Christ, is himself a profound example. All those tortured for Jesus Christ were called “Confessors.” In Maximus’ case, he insisted on confessing the truth even when they promised to cut out his tongue and remove his right hand for preaching or writing one more word about who Jesus was. That didn’t stop him.

Here are some passages from Maximus himself (from Ad Thalassium 61 “On the Legacy of Adam’s Transgression”):

For if the deviance of free choice [by Adam] introduced passibility, corruptibility, and mortality in Adam’s nature, it only followed that in Christ, the immutability of free choice, realized through his resurrection, introduced natural impassibility, incorruptibility, and immortality.

…He exhibited the equity of his justice in the magnitude of his condescension, when he willingly (κατὰ θέλησιν) submitted to the condemnation imposed on our passibility (τὸ παθητόν) and turned that very passibility into an instrument for eradicating sin and the death which is its consequence—or in other words, for eradicating pleasure and the pain which is its consequence. For it was in human passibility that the power of sin and death (the tyranny of sin connected with pleasure and the oppression associated with pain) all began. Indeed, the rule of pleasure and pain over our nature clearly originated in the liability to passions. Wanting to escape the oppressive experience of pain we sought refuge in pleasure, attempting to console our nature when it was hard-pressed with pain’s torment. Striving to blunt pain’s spasms with pleasure, we merely sanctioned against ourselves a greater debt (cf Col 2:14) of pain, powerless to disconnect pleasure from pain and its toils. But the Lord exerted manifest strength of transcendent power by inaugurating for human nature a birth unchanged by the contrary realities (of pleasure and pain) which he himself experienced. For having given our human nature impassibility through his Passion, remission through his toils, and eternal life through his death, he restored that nature again, renewing the habitudes of human nature by his own deprivations in the flesh and granting to human nature through his own incarnation the supernatural grace of deification.

…Therefore death, in its dynasty, dominates all of human nature because of the transgression. …But the Lord, …naturally willed to die…. Clearly he suffered, and converted the use (χρῆσις) of death so that in him it would be a condemnation not of our nature but manifestly only of sin itself.

The baptized acquires the use of death to condemn sin. …Such will ensue if indeed the saints, for the sake of truth and righteousness, have virtuously finished the course of this life with its many sufferings, liberating their nature within themselves from death as a condemnation of sin and, like Christ, the captain of our salvation (Heb 2:10), turned death from a weapon to destroy human nature into a weapon to destroy sin.

From the translator’s notes:

Maximus repeats here his slightly earlier affirmation that Christ “converted the use of death” (τὴν τοῦ θανάτου χρῆσιν ἀντέστρεψιν) so as to condemn sin and not human nature itself. We already see in Ad Thal. 42 (translated above) Maximus’s larger perspective on Christ’s assumption of human passibility in its fullness, becoming the “sin” which is a consequence of the fall (but not the “sin” committed in moral acts) and so for our sakes taking on the mortality which is its condemnation. Recalling here the christianized Stoic idiom of “good use” of the human passions (cf Ad Thal. 1), Maximus describes Christ “using” death, the ultimate “passion” and the end of human passibility, as a redemptive instrument. Elsewhere, Maximus speaks of Christ’s blameless use of the fear of death (Disputation with Pyrrhus, PG 91:297B), for Christ alone turns it into a “voluntary” fear that encourages the Christian faithful in their own confrontation with death (Opusc. 7, PG 91:80D; cf Comm. on the Lord’s Prayer, CCSG 23:34, 135–35, 142).

…Maximus is insistent that the Christian appropriates Christ’s own good “use” of the ultimate passion of death (see note 9 above) by his or her own discipline of mortification. One should not overlook his important distinction between destroying death and destroying sin through the instrumentality of death.

November 4, 2014

your struggle and your suffering is the same as everyone else’s

On Old Ideas, Cohen sang of wanting to write “a manual for living with defeat.” Cohen says:

I wish I could really come up with something ’cos we are all really living with defeat and failure and disappointment and bewilderment, these dark forces that modify our lives. Everyone is engaged in a mighty struggle for self-respect, meaning and significance. The first step would be to recognise that your struggle and your suffering is the same as everyone else’s. I think that’s the beginning of a responsible life. Otherwise we are in a continual savage battle with each other with no possible solution, political, social or spiritual.

From this interview with Neil McCormick.

August 31, 2014

giving yourself over to suffering

You can’t give yourself over to love for someone without giving yourself over to suffering. You can’t give yourself to love for a soldier without giving yourself to suffering in a war. It is this body of our suffering that Christ was born into, to suffer Himself and to fill it with light, so that beyond the suffering we can imagine Easter morning and peace on earth on little earthly homelands such as Port William and the farming villages of Okinawa.

But Christ’s living unto death in this body of our suffering did not end the suffering. He asked us to end it, but we have not ended it. We suffer the old suffering over and over again. Eventually, in loving, you see that you have given yourself over to the knowledge of suffering in a state of war that is always going on. And you wake in the night to the thought of the hurt and the helpless, the scorned and the cheated, the burnt, the bombed, the shot, the imprisoned, the beaten, the tortured, the maimed, the spit upon, the shit upon

From Hannah Coulter by Wendell Berry (171).

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August 15, 2013

seven swords were in her heart but one was in her hand

From “The Ballad of the White Horse” by G.K. Chesterton. In a desperate hour, King Alfred has a vision of Our Blessed Lady and asks her this:

When our last bow is broken, Queen,
And our last javelin cast,
Under some sad, green evening sky,
Holding a ruined cross on high,
Under warm westland grass to lie,
Shall we come home at last?

She answers paradoxically:

I tell you naught for your comfort,
Yea, naught for your desire,
Save that the sky grows darker yet
And the sea rises higher.

Night shall be thrice night over you,
And heaven an iron cope.
Do you have joy without a cause,
Yea, faith without a hope?

After many losing fights, King Alfred is granted one more vision:

And when the last arrow,
Was fitted and was flown,
When the broken shield hung on the breast,
And the hopeless lance was laid at rest,
And the hopeless horn was blown,

The King looked up, and what he saw
Was a great light like death,
For our Lady stood on the standards rent
As lonely and as innocent
As When between white walls she went
In the lilies of Nazareth.

One instant in a still light,
He saw Our Lady then,
Her dress was soft as western sky,
And she was queen most womanly–
But she was queen of men.

Over the iron forest
He saw Our Lady stand;
Her eyes were sad withouten art,
And seven swords were in her heart–
But one was in her hand.

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